20th Annual Texas Western Swing Showcase


Here is an article I had the opportunity to write on the 20th Annual Texas Western Swing Showcase that was published this spring in the Belton Journal:

Photo Credit: C.A. Cash at Shot-in-Texas

Photo Caption: Krysten Harris plays live onstage with Bobby Flores

Just a Swingin’ at the 20th Annual Texas Western Swing Showcase

Texas heritage came alive as feet shuffled on the dance floor while performers entertained at the 20th annual Texas Western Swing Showcase at the Bell County Expo Center on Friday, March 3 and Saturday, March 4. Bobby Flores and Judy Rountree co-produced the event for the first time this year. The musical lineup featured Jeff Woolsey & the Dancehall Kings, Bobby Flores & the Yellow Rose Band, Future Stars of Tomorrow Showcase and Coby Carter & 5 Miles West.  

“If we are going to preserve the music, we have to get young people involved,” said Judy Rountree, the Marketing, Promotions and Publicity contact for Bobby Flores and co-organizer of the 20th Annual Texas Western Swing Showcase. “We don’t want to lose it. It’s a part of history. We need to preserve the history of music as well. This music is jazz on cornbread.”

The Future Stars of Tomorrow showcase on Saturday afternoon featured young musicians ranging from age 11 to 30.  They hailed from various locations across the state of Texas. All but one of the young performers in the showcase has attended Bobby Flores’s Annual Summer Music Camp Retreat for traditional country & western swing music held in Eastland, Texas. This camp is connected to his music school, the Bulverde Academy of Music.

“Most of it’s upbeat and it’s just the type of music you wanna dance to,” said Caroline Grace Wiseman, guitar student, performer and singer, 11 years old.

Another future star of tomorrow was Krysten Harris, the 2017 Ameripolitan Music Awards Western Swing Female Artist of the year.  Krysten was also named 2016 Western Music Association Entertainer of the Year, Two time Western Music Association Female Performer of the Year in 2014 and 2015 and the 2015 Western Music Association Western Album of the Year for “Down the Trail.” She currently performs in the United States and abroad.

“I love Western Swing, and it’s a sound not everybody is doing,” said Krysten Harris backstage a few acts before her set.

Photo Credit: C.A. Cash at Shot-in-Texas

Photo Caption:R.J. Smith, fiddler in the Bobby Flores and the
Yellow Rose Band, coaches and mentors Max Ryan Cook before he goes
onstage at the 20th Annual Texas Western Swing Showcase

Vendors included musician merchandise tables and Wildorado Silverworks, a jewelry company based in Amarillo, Texas.

“This whole Western Swing is like a big family,” said Norma Jean Leigh, co-owner of Wilderado Silverworks. “Everybody looks out for everybody.  We all pray for everybody.”

Texas Western Swing is the official music of Texas. Not only did the event showcase the official music of Texas, but attendees frequented the dance floor to partake in Texas dance favorites including the two-step, waltz and more. One highlight of the event included a drawing for a cabin for two on the 8th Annual Bobby Flores’ Western Swing Caribbean Cruise.  Lorenda Baldwin of Angleton, Texas, was the winner for the cruise setting sail on January 13, 2018, for seven days from San Juan, Puerto Rico to five ports in the Virgin Islands on the Royal Caribbean Cruise Lines.

Bobby Flores, a 47 year veteran of the music industry, is a 2002 Grammy Award winning musician.  He is a multi-instrumentalist, vocalist, producer, arranger, composer and first call session musician.  Bobby has been featured on over four hundred albums, singles and CDs, including performances with numerous, major label artists.  Bobby also composes music for radio and television commercials airing throughout the U.S., Australia and Europe.
To learn more about the Texas Western Swing Showcase as well as performers and upcoming events, feel free to visit www.texaswesternswingshowcase.com.  To learn more about Bobby’s Bulverde Academy of Music and other events, visit the school’s website at www.bulverdeacademyofmusic.com, and visit Bobby’s band site at www.bobbyfloresband.com.

Advertisements

Fanswell!


uke in mountainsSo there’s this great new tool out there for musicians.  I know, I know- there are a million tools.  But Fanswell is super helpful because it takes the music straight from the artist directly to the people wanting to hear it on tour!  Graham Colton, one of my earliest musical loves, created this for artists.  He saw a need for many independent artists trying to do their own tour booking.  He realized we get stuck when there are only so many venues and a huge amount of people clamoring to play the same venues.  I love that it can help me manage my own touring and booking directly with my fans as I begin managing my own tour logistics.

So here is the page if you’re interested in me coming to your home, your porch or somewhere else near where you live.

Leah’s Fanswell Page

Feel free to share this with others through social media outlets.  This fall, I’ll set out to come play for all of you lovely listeners eager to hear some earthy music.  We are starting with surrounding states and also those surrounding my home state of Texas.  Thanks Graham for creating this and thanks to all who are supporting me on this exciting entrepreneurial and creative journey 🙂

~lme

 

 

My musical journey thus far: Why I play music but try to separate myself from the music industry


Image

Photo Credit: New York Public Library photostream

They tell you good things take time.  I can see the beauty in waiting for the right time in my life.

I began writing songs at the close of my college career in my one-bedroom apartment in east Texas.  I still remember my first open mic, shaking hands and the honest statement before I sat down saying “I am not a professional.”  But I began to write and play and create in a way I never had before.  Shortly after college, I moved to Austin, the live music capitol of the world.  At 23, I wanted a music career.  And at 24 and 25 and 26 and so on.  I wanted to find the person who would help me launch my career.  I wanted to go, move, meet everyone I could.  Someone once told me “I had the fever.”  It was funny, but it was true.  I observed an industry guy at South by Southwest one year with my business card, wanting to drop it into his briefcase at his side, hoping it would be discovered and appreciated later.  But I now wonder whether my fever rested in the actual love of music or the pursuit of fame and fortune.  I confess at times, I really became stary-eyed for the hopes and dreams and pursuit of being something wonderful to the world.  In those early twenties, I had an innate desire to prove myself to a world that I believed did not understand me, family included.

Since that time, I have grown to realize some things about myself and the industry as a whole that have shaped me.  I’m not totally jaded and walking away, but that’s probably because I haven’t gone deep into the recesses of the music industry abyss.  I always thought dancing on the sidelines would hold me back.  And in a way it did.  I was never willing to sacrifice my faith, my dignity, my conviction or my vision for what others were willing to sell it for.  I respected myself, my conviction and my art.  And I wanted my music to sell itself.  And I knew that those who sacrifice more and faster would get farther down that career road faster than myself.  But I still refused to follow the path of least resistance.

Throughout my stint in Austin, I began to meet various musicians, booking managers and mentors in the field.   Flaky musicians, waiting for producers who never showed at coffeeshops and disappointing recording experiences were all the continual existence of my world.  The music industry and its people began to manifest themselves as saturated with addiction and selfishness.  I saw people who had fallen into difficult times.  I also saw good families falling at the feet of the music god while neglecting the spiritual welfare of their children.  My heart hurt when I lost friends or felt rejected.  Most importantly, God began to open my eyes to an existence that began to look empty and fruitless.  But in my heart, I felt pulled by a passion that I could not deny.  I knew I had this gift of writing songs, connecting to people and inspiring others on a daily basis.  I will always remember my continued grappling with my talents while questioning who I was supposed to be in God’s kingdom.  I also remember struggling with why others were living my dreams and the near tears I held back once when leaving a show for wanting it so badly.  In my heart, I longed to be doing what I loved and what I knew I was good at.

Somewhere around 26 or 27, I arrived at a monumental conclusion.  If I was ever to make a career of this music thing, I would not be able to follow the same path the others had followed.  I didn’t feel comfortable playing in certain atmospheres, so I was picky about where my performances occurred.  I was highly selective about band members, because I knew that people you spend copious amounts of time with will undoubtedly affect and change you.  I never wanted a manager who didn’t understand my vision and direction.  I also began to realize that trying to get recognized by a record label might not be my best course of action unless it was an an ideal label that respected its artists.  Rather, I decided to become an independent artist.  I would self-produce an EP and create my own “cabinet” or network of trusted designers, printers, booking people, photographers, artists and videographers.  I would be able to control what I created and the image I would ultimately project into the world.  This would force me to become creative in both revenue generation as well as promotion.  I realized after a conversation with a band manager that I would be viewed as either a pioneer or a purist who was holding onto the way she believed about certain things.  Though challenges were undeniable, I still felt compelled to try.  I had grit, and I knew with some hard work, something could be achieved.

I have often felt that even if I did fail at this, I would still be happier than never having tried.  With a father who started his own business and a grandfather who was a gifted salesman, I felt like it was in my blood to pursue an entrepreneurial path.  Now thinking about business plans for my music, I am challenging myself to see things as truly beneficial or not.  I have both 3-5 year goals as well as short-term goals.  My current goal is to complete my first EP by the end of August and have it mixed, mastered, packaged and ready for all of you by mid-September.  I am blessed to have Michael Estok and Vibe Dial Studios for this.  After the release of the EP, my next goal is to play 4-6 shows in various cities in Tennessee, Kentucky, Alabama and Georgia to begin this train down the track.  All aboard.

I want to create something meaningful and relatable.  I believe in my vision of a career of writing, playing and singing music while involving great people along the way.  But I guess the larger theme of what I’d like to do is to change the musician stereotype of self-centeredness.  Throughout my endeavors, I want to incorporate the aspect of service into my character and my business model.  By spreading revenue to positive organizations as well as helping with benefit shows and selecting service venues to play, I believe this will help keep me grounded and give back to communities small and large.  I believe in the need for more musicians to perpetuate a healthy perspective by viewing our gifts as something we’ve been given.   And they are gifts we are forever indebted to share with the world for good.  May we never forget that God bestowed us with gifts to enjoy for ourselves and for others.

So now, here I am at 28.  Five years after I began writing my first songs.  I hope at this point, I have a better head on my shoulders than once was there and a little more savvy in the way things work.  I know I have much to learn and will always be learning.  But here’s to future goals, projects and endeavors.  Let’s all work to have the best attitude and be both thankful and effective with the gifts we’ve been given J