Into the studio we go!


queenslander

Photo Courtesy:  State Library of Queensland

Tomorrow is the first day of tracking for the EP with Michael Estok and his adorable wife.  We’ll record in his renovated East Nashville basement to create something really natural and cool for all you great people who so kindly support me.  Thank you for what you are doing to encourage me.

And I’ve been thinking about what will come after the completion of this project, after an EP release party with an enchanting location, and after I have a product in hand?  My challenge will be to figure out an unconventional way of touring and performing in venues I love around the country.  An even bigger challenge will be to creatively generate revenue and build a group of people I can inspire and connect with on a continual basis.  I would appreciate any prayers from anyone regarding wisdom in decision-making.

But, I want you to be a part of what I’m doing, because honestly, we cannot really do anything in our lives alone.  We all need each other.  I would love to hear your very own ideas, advice on any of your recording experiences, what you would like out of an EP and if there things that you would be interested in merch-wise?  Music is for me, but it’s meant to be shared!

Stay tuned for new music and future show dates 🙂  And keep doing good things and looking up 🙂

~lme

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Thistle Blues


Image

Photo Courtesy: The U.S. National Archives’ Photostream

Thistle blues… 

Verse 1.

The worldaround pretends to know

They tried to spoonfeed it

Down my throat

But I know lies

Are bitter weeds

The poisonsunk

Down to my feet

Not even those

Who seem like little lambs

are good as gold

you can’t seeshadows where they stand

but I’m so broke

because oflove

the holes don’t heal

just callus up

Chorus:

I know you had your reasons

Still I feltbetrayed

Even though you left the light

Where I made myself stay

If you wanted

the friendship that we had

I’d want a two way street

Promise something back

Verse 2.

You better be pretty

And look just like this

Or else you can’t make it

And you never will be his

But I know lies

Are anything but sweet

I don’t think I’ll listen

stomp them lies

beneath my feet

Bridge:

Stomp those lies

Way down down

Stomp those lies

Where they match the dirty ground

Stomp those lies

Beneath your feet

Stomp those lies

because

they don’t mean anything

~lme

Thank you, Tift Merritt


tift

Today I listened to an old NPR interview with Tift Merritt.  I haven’t heard something this real and encouraging from someone in the music industry in a long time.  She said “The spotlight isn’t that interesting of a place.”  She went on to say how the m

usic industry is a self-centered world- not music itself- but the industry.  And she just didn’t want to be like that. 🙂  Thank you, Tift.

She has won my heart, my respect and my applause.  I loved her music before, and now I love her even more for her humble and honest approach to art.

You can check out the interview and music I heard on NPR’s World Cafe.

Have a wonderful Tuesday folks.  And let me know if you have heard any other encouraging musician interviews as well that you’d like to share!

~lme

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Truckin’ along with naming the band


Keep truckin’

Like a good truck brand,  a lot goes into naming a band.  I’m currently in the midst of such an endeavor.  A name says a lot about who you are, what you do, your style and how seriously you hope to be taken.  No pressure right?  Throughout my word perusings for the ideal name, here are some thoughts to consider:

1.  Band Names must be interesting yet easily recognizable.  Whether it’s a created word (the Lumineers) or the putting together of 2 different words or concepts (The Head and the Heart), it must catch the reader’s attention before it catches their ears and later their heartstrings.  It must be somewhat easy to say, since word of mouth will be an ideal marketing tool for you in this industry.

2.  Band names must have the ability to grow with your band.  Putting a number or utilizing a gender word can somewhat constrict your project (unless this is your long-term idea and you know you’ll keep the band the same always).  You have to keep it from being too narrow in concept but it also needs holding weight as well as wings to move in a direction that might later surprise you.

3. Considering connotation is imperative when choosing a name.  The words should give a feeling you want portrayed through your image and sound.  This, I believe, is the hard part.  Words evoke emotion, and it’s hard to get that just right.  It’s easy for me to write a list of words that have the same direction of feeling I want my audience to experience through song, but it isn’t so easy to create that feeling in a concise way through a name.  Here would be a list of connotation words that connect to me:

Farmouse

Southern

Home

Kinfolk

Wanderer

Tumbleweed

Harvest Moon

Seasons

Calico

Rose

Vintage

Fresh food

deserts, forests, valley, fields

Harmony

Traversing the globe

Lanterns

Imagery

Poetry, melodies

the Glow

Friends

Simplicity

Elsewhere

But finding that perfect name as well as one that hasn’t been snagged previously is a challenge.  So, my reader friends, here’s where you come in.  Kristen and I have a pretty lengthy list but we’d love to hear your ideas.  Feel free to post them in copious amounts on my music page, Leah Edwards Music over this lovely long weekend!

Thanks and we’ll keep you posted!

~lme

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The Best in Show: 5 Concerts that rocked my world


Reminiscing over some of my favorite shows in the past five years, I began to see a pattern in what made me truly connect to them and think of them fondly.  I came to the conclusion that it was summed up in two words- atmosphere and heart.  True, it was the music and the people and the hype and the crowd singing along and moving to the beat, but at the core of it all- an incredible atmosphere and the realization that the artist or band truly loved what they were doing resonated deep within me.  Memories are built on pictures, and pictures come to my mind when I float back to some of my favorite music performances of all times with some of my favorite people of all time.  Below is a list of my top 5 in the last 5 years and why:

 1.  Railroad Revival Tour– This show was hands- down one of the greatest concert experiences of my life so far.  My brother and I had tried to get tickets to see them where I lived in Austin, but it sold out insanely fast.  So, we quickly decided a road trip out to the west Texas town of Marfa would be our destination to see Mumford and Sons, Old Crow Medicine Show and Edward Sharpe and the Magnetic Zeroes.  I could gush, but I’ll save it.  First, my undeniable obsession with vintage trains was met with sheer excitement when I discovered that they would travel by them to each stop on the tour.  As if that wasn’t perfect enough, they performed in Marfa at an airstream trailer Hotel called El Cosmico, where you could stay for the night in any one of the airstreams, Indian Tepees or campsites.  Nothing can compare to bouncing and singing and smiling with my younger brother as our favorite band played an incredible show on the eve of Easter Sunday.  In this West Texas heaven, as a crowd of people moved to the music, an ethereal cloud of dust rose above it all, making the atmosphere completely magical, albeit probably terrible for our lungs.  To top the perfect evening, my brother and I sneaked backstage and met Marcus Mumford, Jade from Edwarde Sharpe and Willy Watson from OCMS.  I’ll never forget it.  I don’t want to, and I’ll tell my kids the story of me and their uncle travelling to see one of our favorite bands and the music that will live on forever in our hearts and on our stereos

2.  The Head and the Heart at Cannery Ballroom in Nashville this spring.  This show was a breath of fresh air for me.  The atmosphere was not so much of the pull as the genuine love of music that seemed to exude from every player onstage.  They just seem to be a group of kids hanging out in the park, dancing to the beat of their own drum and playing with more passion and heart than I see in most bands today.  With Charity (who I might add used to attend church with one of my gal pals back in Seattle) belting it out on Rivers and Roads, the crowd was in awe.  It made me remember why I want to be involved in music.  No matter how old I am or where I may be in life, I will always be a songwriter.  And that means even if the world never hears a single note or word- you are who you are.  It doesn’t make you any less of an artist someone told me just because the world doesn’t know who you are.  Meeting Terry, the keys player outside, was awesome.  And then, several days later, while en route to my then restaurant job in Brentwood, I saw two members of the Head and the Heart crossing the street.  I rolled down my window and said “I love the head and the heart.”  They turned around and smiled thankfully.  I’ll never forget it.

3.  The Belle Brigade–  This brother/sister duo became one of my favorite finds of South by Southwest 2011.  My best friend, Kayla, and I, saw them perform several times.  One was at Cedarstreet, in which I was nearly capped in the jugular by a security man because I wasn’t wearing a wristband for the event.  We also saw them at South by San Jose down on South Congress, where the most raw and natural happenstance occurred.  Something went wrong at the end of their set regarding the power, so Barbara, Ethan and their band came down off the stage and into the small crowd.  Donning guitars and genuine smiles, they did an incredible acapella version of Losers, which is one of my brigade favorites. Oh, and just a little tidbit of interest for you- not only are these two related, they are also fortunately the grandchildren of great composer, John Williams.  The icing on top of this is that Barbara used to drum for Jenny Lewis of Rilo Kiley.  Words cannot express how much punch mingled with heart the Belle Brigade packs behind their awesome indie/folk/pop sound. Not only did they have a killer performance, the joy and energy they project in a performance is flung off the stage right into your heart.  Kayla and I had met Barbara the day before.  And when she saw us standing near the stage at our 3rd and final experience of them at South by SouthwestKGSR morning broadcast, she did something quite endearing.  She looked at us and made this really hysterical awkward face and started waving.  Kayla turned around, unsure to whom she was directing the wave.  When she realized it was to us, we both waved back, and I threw back my own crazy face for her enjoyment.  She was so real, so genuine, so happy to be herself.  When we talked to her afterward, she put us on the list for their upcoming show back in Austin.  Though we weren’t able to attend, we sent cookies to the venue for them.  We even heard from them on facebook about it.  They love their fans and show it, and who can’t help but love a genuinely appreciative artist.

4.  KGSR morning broadcast during South by Southwest 2010-Grace Potter and the Nocturnals. Grace Potter is a female rockstar. End of story.  But when she walked into the lobby of the Four Seasons that morning bright and early in her vintage pink frilly pajama nightgown, I fell madly in musical love.  Her amazing voluminous hair and pipes to boot, combined with Catherine Popper (previously the bassist for Ryan Adams and the Cardinals) and her dapper dudes clad in vintage robes, were picturesque.  This girl strutted her stuff and rocked the crowd surrounding her in this living room setting in the Four Seasons lobby.  Sadly, the next year, they moved this broadcast into one of the event rooms, so it no longer has that same feel.  Should you have the itch to see this rock princess, she (and I) will be at the Ryman Auditorium October 12-13 for a two-night stint.  Be ready to have your world rocked, because you can expect it from the illustrious Miss Potter.

5.  The last one, like a good record, is a repeat.  Mumford and Sons at the Ryman Auditorium with Dawes opening.  Dawes is one of my new favorite bands. Why? Because the lead singer has the gift of being a thought-provoking lyricist as well as writing perfect melodies to match.  Since they only sold 2 tickets max in pre-sale and regular sale, we had to get creative with seating. Being down on the Ryman floor singing Dawes at the top of my lungs with Bradford and rocking our harmonies will not soon be forgotten.  Nothing compares to shows at the Ryman, and any musician is fortunate to play that stage.  If you’ve never seen Mumford, I highly encourage you to take the opportunity.  Their lyrics and anthems are truly larger than life, and they play with a world of heart and enthusiasm.  At one point they played the famous Paul Simon cover, The Boxer, which was completely intoxicating.  That song has graced Jerry Douglas’s new album, because Douglas plays on the tune as well.  Much like Douglas, anything Mumford touches is pure gold.  He is currently the king in my eyes of the folk/Americana music world.

cheers and happy wens-day,

leah marie

Who are you? 5 things that will determine where you land as an artist


Who am I

and what I do

Is not what this world

Wants me to

I’ll trod a path

That’s yet unseen

You may shake your head

And jab at me

But some far morrow

A successful day

Will reveal

Truly creative will and way.

~leah

Ultimately, we all feel misunderstood.  As teenagers, as adults, as any human in the world.  We want so badly to be perceived for the way we see ourselves (though that probably isn’t in true light of who we really are).  Recently, I’ve come to realize, as a musician and as someone trying to spread goodness into the world around me for the ultimate Creator, that I cannot walk a conventional path with God and music.  Carefully pursuing music in Austin, I become connected with the independent scene, networking and getting out there by playing local shows in coffeehouses, a vintage clothing store and various open mics around town throughout a 2-4 year span.  There were aspects that I enjoyed- I loved meeting new people when I played open mics.  I actually determined one specific week to go to the open mic at Genuine Joe’s Coffeehouse- where I attended for consecutive weeks faithfully.  There were good conversations, memories of shows that have lingered like a familiar smell and friendships that are far but never forgotten. But, there were the continual often downsides to being in the wonderful world of music.

So, I am now challenging myself to brainstorm and create (when they say grassroots, this is truly grassroots) an unconventional business model for pursuing music in an often foreboding atmosphere.  There have to be people who look up for their inspiration.  There have to be people who stand for something true and right while also being creative souls.  I believe in creating a path where once was none, and a huge part of that for me involves the atmosphere and community with which I surround myself.  It is no more easier to be a musician and a convicted soul than to feel as if you are water and oil.  I have grappled with my purpose for years.  Why would God give me gifts but not allow me to use them?  Why is something so beautiful and amazing as music left to fend for itself in such dark places around America’s cities?  This is when I decided a different kind of atmosphere, people and touring would be some of the fire within my business model.  I would surround myself with those who would be ultimately striving for the same eternal goals, and I would find unconventional ways and places to share my gift of song.  So, that process is slow and in the making, but time pieces together things in ways yet to be seen.

Below is a list I’ve compiled of 5 factors that will determine where you end up as an artist in the world of creativity:

1. Your creative vision for yourself and the image you portray.  It’s true.  If it walks like a duck and talks like a duck….. Sometimes its hard to have people view you in unfavorable terms or to feel like if you don’t “sell- out” by portraying a certain image, that you’ll never get to where you want to be in the creative world and more specifically musical sphere.  Don’t listen to them.  Listen to someone who created you.  He knows better for you.  And listen to your intuition.  Don’t mold to a world that only wants to sell you as a product.  Be willing and courageous enough to be different.  In fact, being different is really in style right now.  Strangely enough, though, people are not as open-minded as they boldly claim to be once they learn the path on which you are walking.  But that doesn’t matter. Pay them no mind… just keep on your way.  “Play your music, write your songs, sing a little louder, and the world will sing along.”

2.  The people with whom you surround yourself.  The verse is truth “Evil company corrupts good morals.”  We can deny it all day long, but we know it’s true.  If you have sketchy feelings about people, or think “hey, I don’t get a trustworthy vibe from him,” remember that.  These are not the types of people you will want in your “inner circle” of musicians and businesspeople to work with.  Do people stand by their words?  Do they keep promises?  If not, I would be wary of doing any serious business venture with them.  Do people make mistakes?  Of course, and be willing to forgive and move past if it was an honest misunderstanding.  But remember, birds of a feather flock together.  And if you see characters in your group lacking character, it may be time to reassess the contacts you have made and accumulated.

3.  Your goals.  People say to write them down.  Listen to those people.  People say you can’t do it too- don’t listen to THOSE people. Writing your goals on paper makes it easier to go back and reference them.  It is also incredibly fulfilling to look at them and realize that over time, you have accomplished what you said you would.  Writing goals keeps them in your mind.  It also makes it somewhat tangible and may help you focus your efforts better.

4. Your attitude: toward both success and failure.  It’s rather hard to not take things personally.  I’m the queen of this one.  But taking it all in stride is the best way to approach each day- every compliment and every criticism.  Especially people telling you “your lyrics are just plain terrible” (yes, that really happened to me).  It’s important, I think, in the music industry, to not look around you too much for validation.  Your validation should come from God.  People will continually disappoint, and if you flounder in the waters of public opinion your whole life, you will never be satisfied.  Because, even if you end up on top for “glory moment in the sun,” life goes on.  And then, you will abdicate your temporary throne to the next newcomer on the music scene.  Enjoy successes- however little or large they be, but remember to keep it all in perspective.  You may be living large, but a slice of humble pie may be waiting around the corner.  Take the motto my best friend and I have done: “Everything at face value-don’t read into it much.” And to that I’ll add- let it roll off your sleeves.

5.  How you view your ultimate purpose and Who you ultimately serve.  Though this came last on the list, it really should pervade the entire list.  If you know Who you serve at the core of your life, then decisions will begin to fall like pages to one side or the other eventually. I know personally that I need to be asking about every decision- is this drawing me closer to Him or pulling me farther away? When others question your beliefs or a stand in one area (that they may claim is crazy), you will be able to know with every fibre of your being, that you are doing what you know to be right.  When your team of people is relatively small compared to others, when at times it seems that doors are closing and no windows are opening and when your dreams seem to be shed along the roadside and trampled by turtles? (great band), you can take comfort in this fact alone.  It doesn’t matter.  If you die poor and unknown, but faithful to God, the story will be a happy ending.  Even if you became the most successful musician and crowds of people could chant your name and sing every lyrical line you penned, none of that would matter if your mind wasn’t directed upward.  So, love what you do.  And do what you love.  But if God presents new and various opportunities, be willing to say “Here I am, use me.”  As much as I love music, often I clutch it far to tightly than I should.

So, here’s to finding like-minded creative souls who will be running for the same eternal goal and want to end up in the great land of promise.  If you know of anyone who fits this description or have any great resources in my efforts to pave a new path, feel free to shoot me an email at leahemusic@gmail.com.  I’d love to hear from you.  Keep walking toward the sun, and hold your hearts high.

~Leah marie

Scene it?


The people begin to slowly amble inside, mingling with newcomers and hugging old friends.  There is food on the table and smiles appear on faces as they pass through the entrance.  The sound guy is checking the gear and there are various instruments pleasantly poised around the room anticipating their moment to be played and appreciated.  The once average living room has now been transformed for the anticipated music event, complete with couch and chairs facing the same direction, lights strung in organized direction above the stage area, and a backdrop to highlight the performer.  Musicians are casually chatting with other performers as well as audience members.  As a newcomer, I am initially invited into conversation by another newcomer and we discuss our musical endeavors while living in Music City.  A love of creativity and awe for the production of music and song fills the room with a warmth unmatched at small downtown venues and big arenas.  As the time draws near, the jovial audience is quieted, the performer properly introduced and a group of music lovers partake in a feast for hungry ears.

I recently attended my first house show in the greater Nashville area, and honestly, it was one of the best musical experiences of which I have been a part in Music City so far.  As opposed to a show at a downtown venue or an open-air park, the house scene had a much more intimate and organic vibe.  More intimate and focused on active listening by the audience, there was an undeniable sense of respect for those performing.  The people who attended were incredibly friendly and welcoming, what everyone would like when flying solo, as I did that night, to this show.  I was actually invited to sit with several girls I had not previously known, but they quickly made me feel like part of their group.  I was pretty excited when local talents, the Vespers, entered from the backdoor and were also listening and enjoying the great local music.   And to brag on them a little, Callie, a member of local musical group, the Vespers, was a complete delight when I suddenly engaged her in conversation.  She even went out of her way to introduce me to Larry Kloess, the creative founder behind Cause a Scene house shows, as a gesture of helping a musician make a good music connection.  On this particular night, the lineup included Marc Scibilia (http://marcscibilia.com), Kevin Heider (www.kevinheider.com), and Afterlife Parade, all three very talented songwriters and performers. The genre of music at these shows spans from Americana to Indie pop and even some country, bluegrass and folk tinged with blues, hip-hop and soul.  I am sure as time goes on, a variety of music will grace the stage.

Cause a Scene House Shows is a new venture in which Kloess has revamped a typical house show scene into a legitimate venue in his living room, fashioning his own style of house show.  In an effort to create an even more comfortable experience, volunteers contribute food to share with the listening party and performing artists.  As a musician myself, I realized the great opportunity for networking at such an intimate and relaxed environment.  Since I moved to Nashville in August, it has been difficult to meet and connect with musicians that aren’t necessarily playing a specific type of music in the Nashville scene.  The open mic scene is nice, but it doesn’t always deliver the results of connection, networking and fostering of local music colleagues that most independent artists and fans want.  Hence, the beauty of Cause a Scene music. This is where the house show scene has begun to change the live music arena.  This house show I attended was not only an enjoyable but also a beneficial experience for me as well as everyone involved.  It felt more like a group gathering, a meet and greet and even a place to connect with old friends as well as create new friendships.

The benefits of Cause a Scene Music in regards to those in the music industry are obvious.  Musicians who perform benefit in a small atmosphere where people are genuinely interested in listening to music and later purchasing music from the performers they hear.  Musicians attending benefit through networking and gaining prospective gigs with those who organize the shows as well as those who have other connections in such a musically-saturated city.  Networking occurs at various levels depending on what fields and organizations may be represented on any given night at any given show.  Thinking you should maybe attend one of these?  I concur.  But not only is it great from a networking perspective, it is an all around enjoyable way to spend one of your very precious weekday or weekend evenings.

In a day when technology and life seem to continually be disengaged and increasingly moving away from interpersonal connection, the house show scene seems to have breathed new life into listening to live music.  Kloess has stepped actively onto the house venue scene, and I think he may just be carving his own niche in it as well.  In connection to creating a performance space, he is now fostering a creative community.  It is one which attracts welcoming people as well as creatives who possess a love for things beyond the here and now.  I was struck by the character that exuded from the souls I met that night.  I recently watched a video interview/blog with Keith Posehn, Zorz president, in which he stated, “Find a small market- and then take it over.”  This made me think a lot about what Kloess is trying to do.  He is in a specific niche, the house market, but he is also fostering local talent as well as providing a place for that to become a musical community of creators, appreciators and dream-instigators. If you haven’t been to one of these shows, I would encourage you to come out and see for yourself.  Even more commendable is the fact that Kloess charges anywhere from 5-10 depending on the show, and then turns around and gives it right back to the performers.  His love of music and those who create it is evident in the way he gives back and respects his performers.

Check out the summer lineups at Larry’s blog, www.causeascenemusic.com and for up-to-dates, add Cause a Scene house shows on Facebook.  The next show is scheduled for this Thursday, June 7, featuring Act of Congress and The Westbound Rangers. If you haven’t experienced this yet, you should definitely check this out.